Processing Inspiration July 13-17, 2025
Sunday, July 13 - Thursday, July 17 2025
This workshop is intended for intermediate to advanced students — artists who already have an understanding of art materials and basic techniques are looking for the next step. Some of the topics we will cover are: fleshing out your personal voice, using a sketchbook to capture ideas, converting inspiration into artwork, and understanding which "sketching" methods work for you. You will work in your own style towards your own body of work.
The rhythm of each day will be slightly different, but for the most part, we will spend the morning visiting a museum or gallery to take in inspiration and the afternoon working in the studio, generating output -- ideas and artwork. Class will involve daily discussions, sketching, critique, art making, encouragement, and one-on-one coaching. Basically, we are going to visit 4 of my favorite Boston-area museums (the ones that are a bit more off the beaten path) and you will learn how to draw in public (eek!), what kinds of things to look for to fuel your own artwork, as well as how to convert your scribbles (or fabulously perfect renderings) into artwork that isn't a copy.
You don't need to be able to draw. You don't have to have an existing sketchbook practice. But you do have to be able to stand in a museum or gallery and walk around for 2-3 hours each day. Some people may wish to bring a lightweight sketching stool.
Sunday, July 13 - Thursday, July 17 2025
This workshop is intended for intermediate to advanced students — artists who already have an understanding of art materials and basic techniques are looking for the next step. Some of the topics we will cover are: fleshing out your personal voice, using a sketchbook to capture ideas, converting inspiration into artwork, and understanding which "sketching" methods work for you. You will work in your own style towards your own body of work.
The rhythm of each day will be slightly different, but for the most part, we will spend the morning visiting a museum or gallery to take in inspiration and the afternoon working in the studio, generating output -- ideas and artwork. Class will involve daily discussions, sketching, critique, art making, encouragement, and one-on-one coaching. Basically, we are going to visit 4 of my favorite Boston-area museums (the ones that are a bit more off the beaten path) and you will learn how to draw in public (eek!), what kinds of things to look for to fuel your own artwork, as well as how to convert your scribbles (or fabulously perfect renderings) into artwork that isn't a copy.
You don't need to be able to draw. You don't have to have an existing sketchbook practice. But you do have to be able to stand in a museum or gallery and walk around for 2-3 hours each day. Some people may wish to bring a lightweight sketching stool.
Sunday, July 13 - Thursday, July 17 2025
This workshop is intended for intermediate to advanced students — artists who already have an understanding of art materials and basic techniques are looking for the next step. Some of the topics we will cover are: fleshing out your personal voice, using a sketchbook to capture ideas, converting inspiration into artwork, and understanding which "sketching" methods work for you. You will work in your own style towards your own body of work.
The rhythm of each day will be slightly different, but for the most part, we will spend the morning visiting a museum or gallery to take in inspiration and the afternoon working in the studio, generating output -- ideas and artwork. Class will involve daily discussions, sketching, critique, art making, encouragement, and one-on-one coaching. Basically, we are going to visit 4 of my favorite Boston-area museums (the ones that are a bit more off the beaten path) and you will learn how to draw in public (eek!), what kinds of things to look for to fuel your own artwork, as well as how to convert your scribbles (or fabulously perfect renderings) into artwork that isn't a copy.
You don't need to be able to draw. You don't have to have an existing sketchbook practice. But you do have to be able to stand in a museum or gallery and walk around for 2-3 hours each day. Some people may wish to bring a lightweight sketching stool.
Sunday - Visit DeCordova Sculpture Park (weather permitting) & Work in the Studio
Monday – Visit Isabella Stewart Gardner Museum & Work in the Studio
Tuesday – Visit Fuller Craft Museum & Work in the Studio
Wednesday – Visit Harvard Art Museums & Work in the Studio
Thursday – Studio Day
THE DETAILS:
Breakfast, lunch, drinks, and snacks, are included in the class fee.
Museum admission is included. Please let me know if you require a regular ticket or are eligible for a senior/student/or other discounted ticket.
Basic art supplies are included, but it is recommended that you bring any speciality items you require. For example, I have plenty of acrylic paint, but if you need rusty nails wrapped in silk thread, you should bring a small selection to use.
Please let me know if you have food allergies.
Class runs from 10am-4pm each day.
You may stay after class from 4-6pm to work in the studio, if you wish.
Breakfast begins at 9am.
Arrive any time between 9am and 10am for class.
The timing of lunch will be flexible based on our field trips.
Space is extremely limited.
NOTE:
Exact Location will be provided to registered students. It is a private home in Watertown, MA.
This space is not handicapped accessible. You must climb TWO flights of stairs to reach the attic studio.
We are a shoes-off household. You are welcome to bring slippers or indoor shoes.
There are no refunds once payment has been made. If you cannot attend you are welcome to sell/give your spot to another person.
For a local hotel, I recommend the Marriott Residence Inn in Watertown or the Hampton Inn & Suites in Watertown. Both are brand new, well located near shops and restaurants, and a short drive to my home studio. The Four Points by Sheraton Boston Newton is also very close by.
